This article was first posted on 13 March, 2012. Given that we are just about to launch into Adelaide’s silly season again, this is a timely reminder that less is more, even though more seems better at the time! Adelaide, my home town, is a hive of activity in February and March. For readers who live interstate and overseas, we host the Adelaide Fringe, the Adelaide Festival, the Cabaret Fringe and Writers’ Week. Not to mention various gigs, including WOMAD, and a sporting event or three. I read somewhere (years ago) that Adelaide is like a binge-drinking teenager lurching from
Continue reading...My review of Butterscotch for Adelaide Art Beat is here. 🙂 It was a gorgeous, jazzy, sensual show in a suitably intimate venue (hot tip: it’s at La Boheme!). You simply must see it!
Continue reading...My review of Richard Fry’s The Ballad Of The Unbeatable Hearts for Adelaide Art Beat is up. You can access it here. I loved, loved, loved it. That is all.
Continue reading...My review of Outland for Adelaide Art Beat is now up and can be accessed here. I loved it. So will you if you go. And you should. That is all.
Continue reading...This is the second Adelaide Fringe where I’ve been lucky enough to be a reviewer. Last year I saw some amazing drama through #TweetsforSeats, which was a PR initiative of CIT. This year, I’m doing the same sort of thing, but for Adelaide Art Beat. Tonight, I went to the launch of The Big Slapple, a cabaret slash comedy venue set up in Regattas Bistro in the Adelaide Convention Centre, located on the gorgeous Riverbank Precinct. It’s a tad difficult to write a review, given that it wasn’t really a show. What I will say is: finger food was fab
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